Nov 17 | Originally hired as co-executive producer to help with the second half of the show's first season, Kevin Murphy has now taken the reins of Caprica, the Battlestar Galactica prequel on Syfy, according to The Hollywood Reporter. He now serves as an executive producer along with Ronald D. Moore, David Eick and Jane Espenson and oversees the day-to-day functions of the show.
Nov 12 | Star Trek star Zachary Quinto is loosely attached to star in the romantic dramedy Whirligig, reports Risky Business.Quinto would play the lead role in the independent Canadian film, which is aiming to shoot early next year. The movie centers on a man who, in a misguided attempt to woo an older woman, befriends the woman's adopted son.Chaz Thorne is directing the pic, based on a screenplay by Michael Amo, creator of the Canadian supernatural series "The Listener."
Nov 11 | The CNS Foundation, is hosting an on-line charity auction at www.charitybuzz.com. One of the items they are auctioning is a signed movie poster of the new Star Trek movie which has all the cast members and writers. The president of our organization is Carol Abrams, JJ's mother, and she arranged for the donation from Bad Robot Production Company. J.J. Abrams is also a major donor to their organization. The funds raised will go to help find a cure to neurological disorders in children. The auction link is here.
Nov 10 | Candice Bergen, Charles Lisanby, Don Pardo, Gene Roddenberry, Tom and Dick Smothers and Bob Stewart have been selected as the next inductees into the Television Academy's Hall of Fame. They will be honored at a Jan. 20 ceremony at the Beverly Hills Hotel. "This year's inductees have challenged and shaped popular culture, changed television for the better and entertained us royally while doing so," TV Academy Chairman-CEO John Shaffner said. More info at the Hollywood Reporter
Nov 08 | Unreality-SF.net has interviewed Star Trerk author James Swallow about some of his upcoming projects. He talks about Titan: Synthesis and Seven Deadly Sins: The Slow Knife, as well as some forthcoming Doctor Who and Stargate stories.
Synopsis: The Sphere Builders act to thwart the crew and Xindi's attempts to stop the weapon from being armed
Review: As the last episode before the season finale, Countdown is appropriately suspenseful and ominious. But at the close of the season it also delivers a strong episode by harnessing the power of characters who have been all too often kept in the shadows this season in favor of exploitative Trip and T'Pol material.
Reed once again emerges as a troubled but determined leader and his scenes with Major Hayes compromise some of the most moving scenes this season that speak eloquently about command and responsibility all the more so for being understated even as it is clear that strong currents of emotion are boiling underneath. Both Steven Culp and Dominic Keating deliver excellent and restrained performances as they finally resolve their conflict in favor of the mission.
Unfortunately we haven't seen nearly enough of Major Hayes and Reed has been woefully underused this season. Hoshi too has been barely visible this season manages to nearly compensate for it in only a few scenes in which she shows strenght and courage amidst her fear. And Phlox fighting with Captain Archer over transporting Hoshi is yet another great moment in the work of yet another underused Enterprise character.
Even Commander Dolim, despite the cheesy makeup, cheesy character and pretty much cheesy everything somehow comes off as menancing perhaps because his tone is that of cold grim amusement like Gul Dukat, rather than a cartoon monster. He is not senseless or consumed by hatred but coldly determined to do his job while enjoying it in a grim sort of way at the same time.
The only weak moment in the episode really comes when we get another round of Trip and T'Pol's whining. Suddenly the episode grinds to a halt while we indulge in some more cheap soap opera. Worse yet I experienced a flashback and was certain that I had somewhat stepped back into an episode of Voyager with Paris and Torres bickering at each other. And after all Trip is Paris with a southern accent and T'Pol with her emotions out of control is increasingly turning into Bellana. God alone knows why TPTB decided that 4 years of Paris and Torres weren't enough and that we needed another 5 but apparently that's what we're going to get.
Considering the ending, you almost wish T'Pol and Trip would really get their own ship along with their own spinoff show in which they could voyage around the galaxy annoying alien species and giving them erotic massages. As things stand now UPN would unfortunately probably be a lot more interested in ordering it than a 5th season of Enterprise.
Countdown itself suffers from the premise of the idea that the Xindi can deliver the weapon from their council area and then directly to earth in a matter of hours. This steps up the suspense but it also looks ridiculous. Enterprise should have broadened the Xindi arc by adding an extra episode that would have focused on the pursuit of the weapon and the interrogation of Hoshi, the relationships with the Xindi and perhaps Dolim and the Insectoids questioning the real role of the Sphere Builders. There's a lot of rich material here that's going untapped because of the need to artificially accelrate the pace.
Archer's deal with the acquatics though is a nice touch. Up till now the Xindi seemed to have been all too willing to go along with anything Archer wanted. The deal though is a more plausible exchange in which they aid Archer in exchange for something of interest to them. Though the move to transfer the team going after the weapon to a Xindi ship while leaving Enterprise and most of the crew in the Expanse hacking into a Sphere seems off. It makes logical sense but not emotional sense to leave Enterprise out of the fight to stop the Xindi weapon.
Nevertheless the transfer scene is effective and has overtones of Voyager's Year of Hell seperation sequence. Archer's voiceover log giving the exact date as the ships launch and the crew members prepeare for combat is another excellent scene that sets up the momentous events to follow. And the dinner at which Archer, Trip and T'Pol discuss their future plans after the 'war is over' nails each bit of dialogue just right. Chris Black's skills with dialogue are evident yet again in turning even ordinary banter into exchanges that really connect with the underlying themes. It is many ways striking to see the opening of Enterprise with a rundown of humanity's exploration accomplishments that sseems to have nothing at all to do with the show today. Scenes like this look to a future beyond.
Meanwhile the Sphere Builders like the Olympian Gods watch over and manipulate the fate of the mortals from their cloudlike positions straddling time and space. In some ways this season Enterprise has been an Odyssey and now finally despite all the gods can do enterprise is coming home.
the best relationships are those which develop naturally like the McCoy-Kirk-Spock trio or Data and Geordi's friendship or Quark and Odo's pseudo-antagonism friendship.
But when you pre-plan and try to predetermine relationships, romantic or otherwise, more times than not it crashes and burns. And the shows have a bad track record of trying to pre-arrange romances leaving us with couples that have zero chemistry and fumble through awkward dialogue meant to develop their relationship.
Enterprise is not unique in this regard but simply part of a pattern.
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